In the centre of the front panel is a mode switch. The latter also doubles as the power-on LED. There are eight LEDs for each of the MIDI Ins and MIDI Outs, and two more for SMPTE lock and MTC Full Frame message. The front panel contains LEDs to show you what is currently going on within the unit. Panel lettering is in the distinctive orange of Mark of the Unicorn. IN KEEPING WITH most professional rackmount units, MIDI Time Piece (or MTP) is black and takes up 1U of rack space. Their MIDI Time Piece interface fits all the above requirements by being a MIDI interface, an eight-input/eight-output MIDI patchbay, SMPTE generator and SMPTE-to-MTC converter - in one box. Mark of the Unicorn are well known for their Performer/Composer software for the Mac. It's yet another piece of hardware you have to buy. If you're working with a multitrack tape recorder, then you'll also need a SMPTE-to-MIDI clock or SMPTE-to-MTC converter to synchronise the software you're running with the recorder. If you want to input MIDI Clock or MIDI Time Code while continuing to use a keyboard with your sequencer, or if two MIDI controllers are to be used at the same time, then you'll need a MIDI merge box of some sort too. Synths, drum pads, keyboards and so on, all require patching via their MIDI Ins or Outs, or both. While these are available from around £60 (for a single MIDI In) this invariably leaves you needing a MIDI patchbay to work with your other MIDI devices. The main incentives of such a move are improved reliability and better-quality software one of the main drawbacks is that the Mac requires an external MIDI interface. WHILE THE ATARI ST computer has built up a reputation for being the music computer for the UK and Europe (mainly by virtue of its onboard MIDI sockets), many of those who can afford the move are swapping their STs for Apple Macs.
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